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Tam Lin

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Album:
Released: Jan 1, 2009
Label:

General Info

  • Genre: Experimental / Folk / Folk Rock

    Location Brooklyn, Un

    Profile Views: 246678

    Last Login: 5/20/2012

    Member Since 10/7/2004

    Website http://www.msplinks.com/MDFodHRwOi8vd3d3LnRhbWxpbm11c2ljLmNvbQ==

    Record Label none

    Type of Label Unsigned

  • Bio

    Tam Lin is making a new album this summer! It's going to be completely free to own, not for profit, and designed to help the American Foundation for Suicide Prevention -- but it will only be possible based on the kind generosity of friends like you. Please check out http://www.pledgemusic.com/projects/tamlin to learn more and be a part of this beautiful project!
  • Members

    Paul Weinfield (vox/guitar/songwriting), Ryan Mackstaller (guitar), Mike Shobe (trumpet), Ward Williams (cello), Adam Platt (keys), Benjamin Wright (bass), Keith Robinson (drums)
  • Influences

    Leonard Cohen, Nick Drake, Daniel Lanois, Bob Dylan, John Martyn, Talk Talk, Radiohead, Bill Fay, Will Oldham, Tim and Jeff Buckley, Roy Harper, Jarvis Cocker, Jason Molina, my mother, my father, love and life.
  • Sounds Like

    Rumi in his electric period

Stream

  1. Tam Lin

    posted a new blog entry:

    Speak, Memory

    ​There's an old story from Eastern Europe about a king whose palace was ransacked by bandits. The bandits came in the dead of ni...

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  2. Tam Lin

    New blog posted: "Speak, Memory": http://lnk.ms/bxjSL

  3. Tam Lin

    posted a new blog entry:

    Karma Police

    ​My teacher tells this story: ​ ​​ ​Ed Brown, a teacher of Zen Buddhism, once went on a meditation retre...

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  4. Tam Lin

    New blog posted: "Karma Police": http://lnk.ms/bxjSL

  5. Tam Lin

    posted a new blog entry:

    Curiouser and Curiouser

    ​Sometimes it's hard not to get depressed by my generation. The hippies had love, the punks had righteous anger -- and what do w...

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Comments

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  • Diego de La Mattaz



    A LOS CINEASTAS DEL FUTURO
    http://youtu.be/OXoWGXy9KdY

    @Mexivergas
    http://vix.mx/shn3W
    Diego de La Mattaz Facebook
    http://vix.mx/CW0bF

    "¡Esas fétidas pantaletas que escupen desde sus obsoletos coños: acción (silencio, cámara ¡acción! = dos, tres, cuatro: ¡Qué empiece la genial y estupidizante expresión! ¡Todos juntos: dos, tres, cuatro; haber, haber, haber: doooos, treeees, ¡cuatro!!), toma (Me gusta más este ángulo, le da un aire más poético.... tsí, t-sí, t-s-í: po-é-ti-co: tsí, tsí, tsí, tsí.... el protagonista se redime.... tsí, tsí, tsí, tsí), corte (¡Por fin, ya no podía soportar mí cósmica falsedad, mí ego me convecía de mi inferioridad ¡mmmm! ¡Qué bien me sienta mi axila izquierda, con ¡cuánta! naturalidad!), set (Se invirtieron miles, no!, ¡Qué va! se inviertieron millones: lo requería la banalidad del equipo, la talentosa ineptitud del crew.... ¡los invito, estoy cocinando una setmovie!, ¡Vengan, vengan, vengan, vengan todos al estreno de mi nueva setmovie!, ¡Andenle, traiganse los garbanzos y el vino!: ¡Se me enfría la comida!, ¡Se me desencuera el festín!, ¡Oh, sí; miles, miles, miles, miles!, Fue muy difícil, dificilísimo, casi imposible, nadie creía en el proyecto, pero, al final: ¡sí se pudo!, ¡tsí, tsí, tsí, ¡tsí! se pudo!), pre-post-pre-post-producción-pre-post-pre-post ¡Oh sí! ¡Ya está en Post! (¿Post?, postcoital o qué, ¿Post?, postmenstrual o qué ¿POST?), casting (¡Debes meterte en el personaje: si me entiendes, cariño, papasito?: Meterte!.... ese tono de voz, carajo!.... ¡Métete!, eres un actor, no un puto humano!.... ¡Métete!.... sólo métete y prefabricadamente chapotea en esta bacinica emocinal, en esta deslubricante intelectualidad), rodaje (¡Apurale!, ¡Maquillale bien la cara! ____ ¡Vente así ya, despúes de todo las masas sólo te quieren ver las pinches tetas!, ¡Toda tu carrera profesional se la debes a tus tetas!, ¡Masas y Tetas!), guión (¡Tendrá una narrativa fragmentada!, ¡El mensaje es muy fuerte!, ¡Va a ser algo surrealista! ¿surre....? supéralo ya!, ¡El surrealismo esta muerto, desgastado!, ¡No remuevas más esas ingenuidades espirituales!), storyboard (¿Acaso un desgarre se grafica, se ilustra?), secuencia (¿De clichés renovados?), historia (¡¡¡¡Ja!, ¡¡¡ja!!!!, ¡¡ja!!!, ¡ja!!, oye, ¿Por qué no la hacemos sobre la vida de ¡¡¡¡JA!!!!? Sí, me late tu idea, hay que empezar a desarrollar el concepto, muy moderno, por cierto: ¡tsí!, ¡VAMOS!, ¡tsí!, ¡Vamos TODOS!, sera un éxito, ¡-t-s-í!-: ....Desde la tragedia de su padre, ¡¡¡¡JA!!!!.... ¡t-s-í!, ¡vamos todos!, ¡t-s-í!: ....perdió el gusto por las frituras.... ¡t-s-í!, ¡vamos todos!, ¡t-s-í! ....ya sólo le interesaba sobar su x-box.... ¡t-s-í!, ¡t-s-í!, ¡t-s-í!, ¡t-s-í!, ¡t-s-í! ....morder el cable del control, masturbarse y eyacular sobre su ipod.... ¡t-t-t-t-SÍ!), plano (¿Plano?, ¿El abuelo transexual del planito?), travelling (¿Su técnica?), corto (¡académica libertad creativa!, ¡T-S-Í!), director (¡Ese soy yo!.... ridenbergk: el director.... tsí, soy un cineasta mexicano: ¡Estudié en la prestigiosa.... Competí en el prestigioso.... Vencí en el majestuoso.... Rodé en la imponente....! ¡En la - en el - con la - por el - para la - contra el!.... ¡Pasele al mercado de la cobardía, que sólo aquí encontrará el catalogo de las artes!.... ¡Pasele!.... ¿Qué le damos, wero?.... psss aquí traigo mi lista....

    -----

    ¡Ah, cuánta asexualidad recubre todos estos conceptos!.... ¡Impotentes ¡¡¡¡Nimios!!!! ¡¡¡¡Patéticos!!!! nulos!.... ¡Mironcillos de puchas, pepas y panochas: mas no saboteadores de ellas!....¡¡¡¡A la cinematografía se le ¡coge!, no se le asexualiza!!!!.... ella es una puta, ¡se le dedea ¡y! se le sodomiza!; no se acude a ella con historietitas soberbias, no se acude a ella con insólito talento, no se acude a ella con procedimientitos carnavalescos, no se acude a ella con artística exuberancia, no se acude a ella con musiquita desgarrante, no se acude a ella con astuta rapacidad, no se acude a ella con guioncillillos transgresores, no se acude a ella con frígida sensibilidad, no se acude a ella con tiernitas experimentaciones, no se acude a ella con irredenta genialidad, no se acude a ella con bagatelitas sociales, no se acude a ella con titánica ingenuidad, no se acude a ella con estructuritas dislocadas, no se acude a ella con virginal creatividad, no se acude a ella con obritas maestras, no se acude a ella con valentía caballeresca: ¡¡¡¡SE ACUDE A ELLA CON LA VERGA TIESA, ¡PARADA!.... LISTA PARA MEGACOGERLA Y ULTRAFORNICARLA!!!!!"

    Escrito en el 2008 y grabado en video para su deleite en el 2011.

    11 months ago
  • ChiKiSpirit

    I hope more people read your blog about Broken Glass.

    Have a nice day!

    ~ChiKiSpirit~

    2 years ago
  • Séverine Art

    A small hello !!!
    good day...

    2 years ago
  • Felicia Edmond

    Thanx for the add and support

    2 years ago
  • Connie Say

    Hi there!
    I Hope you have a very wonderful day!

    2 years ago
  • Courtney Soto

    I LOVE YOU!!!
    ..I Love you
    .I Love you
    .I Love you
    .I Love you
    ..I Love you
    ...I Love you
    ....I Love you
    .....I Love you
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    ...I Love you
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    .I Love you
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    ....I Love you
    .....I Love you
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    ........I Love you
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    ..I Love you
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    ...I Love you
    ....I Love you
    .....I Love you
    ......I Love you
    .......I Love you
    ........I Love you
    ........I Love you
    ........I Love you
    .......I Love you

    2 years ago
  • Andrea Perino

    Hey :]
    how are you?

    2 years ago
  • Connie Say

    Hi there!
    I Hope you have a very wonderful day!

    2 years ago
  • Naeem Oba

    Peace, come thru and chop it up.

    2 years ago
  • Séverine Art

    A little hello !!
    Good day.....ciaooo

    2 years ago
10 of 2907More

Bio:

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Tam Lin - The Queen of Sheba (by John Benton) from Tam Lin on Vimeo.







"TAM LIN MAKES MUSIC THAT STEPS OUT OF A DREAM"

-- FRESHOUT MEDIA, PHILADELPHIA, PA



"GENTLE, LITERATE TUNES [THAT] ARE WISTFUL YET VAGUELY SINISTER"

-- TIME OUT NEW YORK, NEW YORK, NY



"THE INTRICACIES AND UNIQUENESS OF HIS COMPOSITIONS STAND ALONE AS A RARE, SUCCESSFUL, GENUINE-SOUNDING BLEND OF BOTH OLD AND NEW SOUNDS"

-- JEZEBEL MUSIC, BROOKLYN, NY







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He remembers finding someone’s copy of Bob Dylan’s Highway 61 Revisited on vinyl. He was nine years old, and within a few days he had memorized all the words to “Desolation Row.” It was the moment when he realized that songs aren’t just tunes with words: they’re worlds that can be inhabited fully, worlds filled with strange characters, unexpected emotions, and lessons to be learned. He was nine years old, and it was that year that he learned to play guitar and begin dreaming up song worlds of his own.

A few decades and several hundred songs later, Tam Lin, aka Paul Weinfield, is still at work, crafting, performing, and living his intricate and magical songs. 2009 marks the release of his third album, Begin Again, produced by Mario J. McNulty (David Bowie, Philip Glass) and featuring such illustrious performers as Aaron Comess (The Spin Doctors, Joan Osborne) and Mike Shobe (Wu Li). Begin Again is a rare gem in the world of singer-songwriter music: an album that is as sonically adventurous as it is well written. Using Omnichords, open-tuned guitars, and distorted trumpets, Begin Again combines a Leonard Cohen-esque approach to precise, poignant songwriting with the ambient sound-textures of artists such as Talk Talk, John Martyn, and Daniel Lanois. The result is a total musical experience in which cinematic narratives, elegant melodies, and sonic landscapes all come together to form a single world in which the listener can fully reside.

Tam Lin has long been a favorite of the New York City songwriter’s scene. Time Out New York praised his earlier albums, In the Twilight (2008) and Floating World (2006), for their “gentle, literate tunes … wistful yet vaguely sinister.” “Every now and again a musician is preceded by his reputation,” Dan D’Ippolito of Jezebel Music, a Brooklyn-based promoter of independent music writes. “The intricacies and uniqueness of [Tam Lin’s] compositions stand alone as a rare, successful, genuine-sounding blend of old and new sounds.” Tam Lin has played at some of the northeast coast’s most prestigious venues: New York City’s Mercury Lounge, Philadelphia’s World Café, etc. He is known for playing in a variety of formats, depending on the venue: intimate solo sets in which he can showcase his songwriting, “cabaret-style” shows with guitar loops and trumpets, or in full regalia, with his electric band.

At the center of Tam Lin’s sound, however, is his voice: a lush, gentle baritone that is utterly unlike that of any contemporary singer and at once extremely recognizable. One recent blogger described it as “simple, soulful, and socially-sentient – he could sing the IHOP menu and make it sound like molten glass.” It is this distinct voice that makes Tam Lin’s music accessible to a variety of age groups and genres. His music has at times been classified as folk, rock, ambient, and soul, but it seems that whatever style Tam Lin occupies, the result is always music that is wholly his own. He is the son of a poet and classical composer, and a lot of his expressivity comes from exploring this tension between speaking and singing, much like a Lou Reed or a Lee Hazelwood. And like a Nick Drake or a Leonard Cohen, his music tends to win listeners over with its patience and gentleness.

So for everyone who remembers what it was like to first enter the world of a song, here is a chance to experience that magic all over again. Pick up a copy of Begin Again and be transported.

For more information about Tam Lin, his recordings, and his live shows, please visit the following websites:

Recent Studio Releases: http://www.myspace.com/tamlinmusic
Video Footage of Live Shows: http://www.youtube.com/tamlinmusic
Electronic Press Kit: http://www.sonicbids.com/tamlinmusic
Official Website: http://www.tamlinmusic.com

Member Since:

October 07, 2004

Members:

Tam Lin (vox/guitar), Ryan Mackstaller (guitar), Mike Shobe (trumpet), Benjamin Wright (bass), Mark Boquist (drums)

For booking enquiries or more information, please contact: ..tamlinmusic@gmail.com..


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Influences:

Leonard Cohen, Lee Hazelwood, Nick Drake, The Band, David Byrne, John Martyn, Roy Harper, Jarvis Cocker, Sam Cooke, Jason Molina, David Bowie, Brian Eno, Daniel Lanois, Caetano Veloso, Al Green, Bill Fay, Will Oldham, Radiohead, Tim and Jeff Buckley, my mother, my father, and yes, I suppose Bob Dylan too.


Sounds Like:

Rumi in his electric period.


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Record Label:

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