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Nafs Beatdown

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Released: Jun 6, 2010

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Nafs Beatdown
2:53
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Joy Moves Forward
9:15
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Clear The Path, part 1
9:32
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Clear The Path, part 2
4:42
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Desert 3 Stones
7:51
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Total Plays: 5,642 / Plays Today: 2See All Featured ►

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Latest Blog Entries

Apr 25, 2011 4:11 AM WE'RE BACK!
Jul 28, 2010 1:58 AM Rare Sama Duo Gig next Monday!
Jun 8, 2010 3:20 PM new tunes with a Tele!
Sep 10, 2009 8:01 AM two solo oud videos!
Aug 25, 2009 7:37 AM resurfacing some earlier posts

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MIDDLE EASTERN SOUTH ASIAN JAMBAND PUNK JAZZ

WE'RE BACK! After a long absence away we are back, with a vengeance.
New tunes, new projects, a new CD in the works and more. Looking forward to reconnecting with everyone and thanks for all your support!
best and blessings, msd

Burn your panpipe samples and scrub the dishes with your ambient synth pads: this is not your auntie's world music band. The Duo brings a telepathic level of interplay to their groove-oriented energetic improvisations with a south Asian and Middle Eastern twist (think Bill Frisell and late Coltrane guesting with the White Stripes on a Calcutta rooftop with a bird's eye view to Morocco).

Sama' Duo retains an improvisational focus, applying a deep core of both cutting-edge and ancient improvising methods within the musical traditions of India and the Middle East. The Duo reaches into a deep understanding of form and method from the established traditions, adds their previous experience as post-modern improvisors to the process and wraps it all with a rhythmically- driven, wide-ranging rock/funk ethos.

The group takes as its name a nuanced Arabic term that describes the spectrum of relationships between intense listening, sprituality, and music-making itself.

The Duo was chosen in 2006 to provide the music score for the independent film "Birth of a Pillow" by director Sharmy Pandey, from Kolkata, India. The film is a 47 minute feature with no dialogue, requiring a continuous music score that would amplify and emotionally detail the story to a very high degree.

The duo is planning a CD release for 2011.

Mustafa Stefan Dill (fretless guitar, oud, sarod) is well known in the area for his guitar, sarod, and oud work, leading a variety of his own ensembles as well as playing in mJane, Out of Context, Zevk Ensemble, and others. He has peformed solo concerts at numerous improvised music, jazz, and guitar festivals, including FMP's Total Music Meeting, Wirral Guitar Festival, Paderborn Guitar Festival, Zuid Nederlands Jazz Festival, and others.

Jefferson Voorhees (drum set, tabla, naal, tar) resides in Albuquerque and is one of the regions most versatile and sought after percussionists. His resume includes such projects as the Tom Guralnick Trio, Bayou Seco, Stove, and Out of Context, among many others. His time spent in India studying music and percussion (as well as his performances with Iraqi oudist Rahim Alhaj) adds some particularly unique qualifications for the project.

VOTE FOR SAMA DUO IN LAS CRUCES:

SAMA DUO/MSD REVIEWS

"...Catchy, challenging, spacey and spiritual all at the same time." Weekly Alibi, 9/2010

Loud, burning, skronky stuff (although, they do calm down at times and indulge in some more restrained, quiet passages). It's all very beautiful if you're into this sort of thing, definitely for fans of Mahavishnu John McLaughlin and Nels Cline!! Cool. (for Stefan Dill Trio, 2002) -Aquarius Records, March 2002

"...packed with Hendrix inspired blues licks and string bends, coupled with John McLaughlin out there raw energy bursting into beautifully sustained feedback parries with bass and drums... To coin a well known phrase, 'it's music, but not as we know it Jim.'" (for Stefan Dill Trio, 2002) (JM Web) - Julian Derry, JMWeb

"Dill's playing is very quick, fluent, and highly accomplished, at times generating some beautifully rich and powerful textures inspired by the high drama of flamenco...stimulating". Geoff Cox, Classical Guitar (England), June 1998

"Very much in the flamenco vein ...while displaying a sometimes delicate and sometimes turbulent style. Yet his emotional playing has all the elements of what creative improvised music is all about...unquestionably an exceptional performance." Cadence, April 1998 (Vol 24 No. 4)

"... Dill's evocative solo nylon stringpieces are an ear-stretching hybrid of Bailey's stark pointillism and traditional flamenco gestures....full of delicate dynamic shading and poignant silences. Soulful and innovative." Joe Gore, Guitar Player, May 1998

" The work of guitarist Stefan Dill is as daring as it is ambitious and satisfying. ...These are tensions which propel the music - beyond hearing , which is what it ultimately aspires to- is all to do with the delivering of not just sound, but of a pure experience." Loretta Summers, World Beat (England), no 6 (April/May 1998)

"Eine mitreißende Tour durch eine andere Welt von Klängen und Inspirationen. Flamenco? Ja - aber einmal ganz anders!" Peter Maier, Gitarre Aktuell, I/98 (No. 60)

" Solo guitar music that lies somewhere in the triangle between flamenco, ECM style improvisatory jazz, and aleatory/12 tone composition....very original, and totally unique". Guillermo Juan Christie, Flamenco Connection

" ...haunting music in a language that floats on the threshold of the unconscious, congratulations!" Roberto Limon, Director, Centro hispanoamericano de Guitarra, August 1996

"The completeness and extreme originality of guitarist Stefan Dill's art is more than impressive....He has drawn from all manner of sources: the percussive power of flamenco has a role to play, balancing the expressivity of free jazz and the structural concerns of post - Schoenberg straight music....Crucially, his music is no potpourri: his tastes may be eclectic but he has his own, very distinctive, voice. " Steve Lake, FMP Total Music Meeting 1994 programme notes